![]() That means it enables you to view LUT effects exactly the way the developer has intended, copy, move and delete LUTs and organise them. The Color Trix team who successfully developed the Color Finale colour grading plug-in for Final Cut Pro X saw an opportunity and decided to develop a LUT management app for macOS, Color Finale LUTs and I must admit that I am smitten with the app.Ĭolor Finale LUTs is a LUT manager. And before you know it, those LUT packs are gathering digital dust. The enthusiasm about the purchase, though, subsides quickly when you realise you need to open Final Cut Pro X every time you want to see what a certain LUT does to an image or a clip. I know from personal experience how addictive those look LUTs can be. Then comes the next project with you going after a different look, and the second pack is licensed, and then the third, the fourth and I can go on and on, and on. ![]() With a limited budget, an investment in a LUT pack of 100 or so Euros seems like a good idea. ![]() If there isn’t one, it means your camera has the natural colour look applied in-camera. Look LUTs always assume natural colour, which is why you’ll want to apply the camera LUT if there is one. Color Finale LUTs solves most of the issues that crop up soon after you have invested in LUT packs.Īn input or camera LUT is used at the beginning of the colour correction process to adjust your film project so that the colours shot with an ARRI that wildly differ from those shot with a Sony CineAlta look the same in your colour grading station - think anything from Premiere Pro over Final Cut Pro X to - par excellence - DaVinci Resolve.Ī look LUT contains instructions to create a baseline for a desired look in your footage and as such is a time saver. LUTs easily and quickly change the look of your footage, sometimes even replacing the colours your camera shot altogether.Įven if they’re cheap, it’s appealing to have many LUTs available for quick-and-dirty work or because you’re colour grading illiterate. When you apply a “looks” LUT to footage, you are actually applying mathematical formulas that someone else developed to your footage’s existing colours. Collecting large numbers of the things may quickly lead to thousands of small files on your system, often without you having a clue as to what they will make your footage look like. ![]() Out of the box, Color Finale LUTs is integrated with popular NLE systems such as Final Cut Pro X, Adobe Premiere Pro and DaVinci Resolve and offers instant, semi-automatic access to embedded LUTs folders and a preview of LUTs based on these applications’ colour spaces.Colour LUTs or Colour Lookup Tables in full are a kind of digital colour filters and there are millions of them out there, paid as well as free. Applying LUTs to photos or video footage, or exporting them is only one click away. To select the best LUT for your project, Color Finale LUTs provides previews of every LUT using your own stills - either photographs in Finder folders or from the Photo app, or video stills saved from the built-in video player annex stills extractor. The LUTs are automatically ingested in the Color Finale LUTs management interface from folders, so users can further sort and filter their LUT collection, create custom LUT collections, and much more! Using an intelligent scanning algorithm, Color Finale LUTs allows end-users to access all the LUTs located on their Mac. Color Finale LUTs was designed for filmmakers, video editors, colourists, photographers, Youtube content creators and vloggers as a user-friendly and easy to use application for managing and storing LUTs on macOS computers. ![]()
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